艺术果醬 | 在不久的将来艺术会被创作完吗？
Every individual is a unique entity with distinct thoughts and ideas, shaped by their experiences and emotions. This diversity in perception leads to innovation.
每个人都是独一无二想法不同的独立个体。
每个人因为所感觉到的信息和所伴随的情绪不同，每一次的感知都在神经留下印象，随着经历的增加。我们不同的经历，和见过不同的人、事物造成我们的意识想法不同。这些不一样造就了我们的创新。
Thus, the conclusion of this article: can art ever be completely created? The answer is no.
先说本文的结论：艺术会被创作完吗？答案是不会。
Innovation in art can be categorized into three aspects: content, subject, and medium. Innovation is controversial, as it’s not about who did something first, but who manages to imbue the work with artistic meaning. Therefore, creativity is endless, branching out like an ever-expanding mind map.
因为艺术的创新可以大致分为三种类别：内容、题材、媒介。创新是带有争议性，创新的先锋不在于是谁第一个做了什么而是谁去赋予归纳为艺术寓意。因此创意永远不会枯竭，会有层出不穷的想法。
In his book “Designing Design,” Japanese designer Kenya Hara states, “Creating something from scratch is a form of creation, but transforming the known into the unknown is also an act of creation… The more we are convinced that we understand something well, the less accurate our understanding becomes… Previously, we were only designing ‘stimuli,’ but now we must break away from that past and view the ordinary with fresh eyes to develop new design ideas.”
日本设计师原研哉在《设计中的设计》写道：”从零开始搞出新东西来是创造，而将已知变成未知也是一种创造行为……我们越是确信自己已非常了解某物，我们对它的理解也就越不准确……我们以前只是在设计一些‘刺激’，而现在我们要与那种过去分道扬镳，用明亮的眼睛看待平常，得出设计的新思路。“
Japanese designer Kenya Hara, in his book “Designing Design”, proposes the intriguing concept of “RE-DESIGN”:
“RE-DESIGN” essentially means “re-design,” re-examining familiar objects in our daily lives to find the essence of modern design, and breathing new life into everyday objects. It also includes the process of re-examining common and familiar things in society.
原研哉在书中提出了很有趣的概念：“RE-DESIGN”。
这个词的意义，简单地说就是“重新设计”，就是重新面对自己身边的日常生活事物，从这些为我们所熟知的日常生活中寻求现代设计的真谛，给日常生活用品赋予新的生命是我真正感兴趣的课题。… “RE-DESIGN”这个词，也包含了把社会中人们共有的、熟知的事物进行再认识的意义。
所以艺术也可以应用同样的概念，艺术的创新除了是从零开始探索未知也是把已有的进行“RE-DESIGN（再改造）“ 创新的过程如同一张思维导图，东西是有限的可是东西之间的分支联系是无限的，把追求没有联系到的东西以创作者自己的理解和呈现方式联系到一起再赋予艺术的涵义就是创新。
我们可以从Lucio Fontana的作品上可以感受到艺术思维的创新和“再改造”
The artwork of Lucio Fontana, an Argentinian/Italian minimalist artist, embodies this innovative mindset. His slashed canvases are world-renowned, and his work has influenced many artists.
卢齐欧·封塔纳（Lucio Fontana），阿根廷/意大利艺术家，极少主义（Minimal Art）的先锋。以极少主义的刀痕画布知名，其一生的创作则涉及广泛使用过多种媒介、多种趣味。
By slashing the canvas, Fontana not only challenges conventional thinking but also encourages viewers to break free from preconceived notions about art. Although seemingly destructive, the artist perceives the action as opening a portal between the space within the painting and the outside world. By employing holes and slashes, Fontana transcends the limitations of two-dimensional space and the illusions of painting, redefining the boundaries between painting and sculpture.
这位艺术家在画布上割上一刀就价值连城，他的一刀改变了很多艺术家的思维模式。在画布割上一刀不仅打破常规想法并让许多人跳出对艺术的固有的思维模式。在画布上的一刀看似是对画布进行破坏但其实艺术家认为是在空间平面上穿洞。他的作品运用孔洞和刀痕，打破二维空间的局限性和绘画的三维虚幻。
Through his innovative approach, Lucio Fontana created a division between the space within and outside the painting with a single slash, thus breaking the boundaries of painting and sculpture. The concept of “Re-Design” encourages us to perceive everyday objects in a new light and serves as a reminder that innovation and creativity in art are boundless.
卢齐欧·封塔纳（Lucio Fontana）用他的创新想法，在画布轻轻画上一刀就隔开了画内和画外两个空间。与此同时打破绘画和雕塑的界限。
