艺术果酱｜让时间错位的超红当代艺术家：丹尼尔·阿尔轩
Porsche 992
Daniel Arsham’s “Ash & Pyrite Eroded Porsche” transforms the Porsche 992 into a driveable sculpture, elevating its texture to extraordinary levels. Arsham’s fascination with erosion manifests in the ash-white exterior reminiscent of a cement wall. The damaged designs embedded within the hood, sides, and rear of the car evoke a post-apocalyptic ambiance, with the vehicle standing as a testament to history’s endurance.
《Ash & Pyrite Eroded Porsche》的Porsche 992雕塑作品，成为实车，甚至还可以开上路，这辆 992 特殊的质感更是身价不凡。Daniel Arsham 表示这辆车是可以驾驶的。灰白色的外观，是他向来钟爱的水泥灰墙质地，如同历劫后的近未来，仍未毁灭的汽车见证了历史。在车头引擎盖、车侧以及车尾，都有破损的设计镶嵌于其中。
Porsche’s Allure Elevated by Daniel Arsham’s Erosion Art\ Porsche 被艺术家 Daniel Arsham 侵蚀后更吸睛
Daniel Arsham’s passion for automobiles and fascination with erosion come together in his alluring, yet apocalyptic, creations. His recent showcase, “Turning Keys,” in Detroit’s Library Street Collective, is fueled by this compelling combination.
Arsham爱汽车．他还喜欢侵蚀的东西．这是这种诱人的（然而世界末日）组合，它在底特律的图书馆街道集体中提供了最新的展示，“转动扳手”，这么多燃料。
Arsham’s detailed 1:3 scale replicas of supercars and other automotive artifacts serve as a tribute to Detroit’s automotive industry and global car culture. In addition, his work also pays homage to the film industry, recognizing the symbolic role that characters’ vehicle choices often play in reflecting their personalities.
Arsham制作了非常详细的1:3规模的超级跑车和其他汽车工艺品的复制品，作为对底特律汽车工业和全球汽车文化的致敬。还有对电影行业的致敬，在电影行业，角色的载体选择往往是他们个性的延伸。
Arsham photographed the new car sculpture in his studio.\ Arsham在他的工作室里为新的汽车雕塑拍照。
Savannah College of Art and Design
Within the gallery’s elongated glass room, an eroded, wave-like wall installation resembles a series of dominoes, each wall decaying from the center at varying degrees of destruction. Viewers can gaze through the layers of transformation to discern a human-like wall in the distance, inviting an immersive experience.
在美术馆的长条形玻璃房中，安置了一个被侵蚀的、涟漪状的墙面，就像多米诺骨牌一样，每一个墙面都是从中间开始破损，破碎程度不一样；通过一层层变化能看到最远处尽头的人形墙面，观众也可以不断穿梭其中。
Daniel Arsham, born in 1980 in Cleveland and currently based in New York, grounds his aesthetic in the concept of “fictional archaeology.” By combining mediums such as sculpture, drawing, architecture, and film, Arsham’s “future archaeology” creations generate a critical context. These unforgettable and witty scenes blend romanticism and Pop Art qualities.
Daniel Arsham（丹尼尔·阿尔轩），1980 年生于克利夫兰，现工作和生活于纽约。Daniel Arsham的美学根植于他的“虚构考古”概念。通过雕塑、素描、建筑和影像等创作媒介，以其称为“未来考古学”作品创造一种临界情境。这些令人难忘又饶有趣味的场景，兼有浪漫主义和波普艺术的气质。
As early as 2005, Hedi Slimane invited Arsham to design the fitting rooms for Dior’s menswear collection in Los Angeles. Today, Dior’s Artistic Director for menswear, Kim Jones, invited Arsham to design the show space for Dior’s 2020 Summer menswear collection. The space features a massive Dior logo statue.
早在2005年，Daniel Arsham就被Hedi Slimane邀请去设计洛杉矶的Doir男装的试衣间。如今的Dior男装艺术总监Kim Jones也邀请了Daniel Arsham为Dior 2020夏季男装发布会设计秀场。秀场中伫立着巨大的Dior字母标识。
RIMOWA also collaborated with Arsham on a limited-edition series of luggage. Drawing inspiration from RIMOWA’s signature camera bag, Arsham created the “Eroded Suitcase,” showcased alongside the RIMOWA Classic Attaché contemporary luggage line. The Attaché series balances a vintage aesthetic with minimalist design, highlighting RIMOWA’s signature grooved aluminum.
RIMOWA也曾经与Daniel Arsham合作，推出一系列限量版的行李箱。Daniel以RIMOWA的经典相机包为灵感，创作出了“侵蚀的行李箱”。“侵蚀的行李箱”被放在了RIMOWA Classic Attaché 当代行李箱版本中共同展出。
Daniel Arsham’s works often transport objects into a seemingly post-millennial temporal context, creating a time-warped illusion. His fascination with the concept of time collapse is evident, as his works appear to be both relics of the past and fragments from a possible future. Everyday objects, reimagined within futuristic concepts, highlight this temporal ambiguity.Materials like volcanic ash, quartz, obsidian, pyrite, glacial rock crystal, steel, and plaster embody time’s passage in Arsham’s works.将作品中的物品置于仿佛1000年之后的时空中，也给了人们一种时间的错觉。他的很多作品都与时间塌陷这个概念有关系。不仅塌陷到过去，也可以塌陷到未来。比如把日常生活中的常见物品置于未来的概念中。火山灰、石英、黑曜石、黄铁矿、冰川岩尘水晶、钢材、石膏等材料常被他用来表现时间的流逝。
Architecture plays a crucial role in his oeuvre, with eroded walls, dead-end staircases, and knotty surfaces challenging our spatial and formal perceptions.
建筑是他作品很重要的一部分，那些被侵蚀的墙壁、无处可去的楼梯、打结的墙壁，让我们对空间和形式的认识更进了一步。
Arsham’s sculptural works often feature decay or disintegration, allowing viewers to empathize with the pain of his characters or animals. In 2019, his artwork titled “Quartz Eroded Vogue Magazine 101” sold for HKD 2.3 million (approximately $231,000 USD) at a Phillips’ 20th Century & Contemporary Art auction, setting a new record for the artist’s work at auction.
他的雕塑作品中的标注性特点是呈现出腐烂或破裂，我们可以直观地感受到雕塑人物或动物的痛苦。Daniel Arsham曾以Vogue杂志封面创作的雕塑以231万港元拍出，刷新这位备受时尚界追捧之当红艺术家的世界拍卖纪录。
