\ 艺术果醬 |到底什么是装置艺术？
“If you can’t make it good enough, make it big enough.”
— Art theorist Clement Greenberg
“如果不能把它做得足夠好， 就把它做得足夠大”
—藝術理論家 克莱门特·格林伯格
What is Installation Art?
什麼是裝置藝術？
Installation Art is named after the English word Install, which means “to install.”
裝置藝術（Installation Art) ，拆開Installation英文 Install 指的是安裝。
It can be simply understood as the composition of this art, which first has an object, becoming the content and medium of the “installation.” After that, it consists of the actions of people.
所以簡單可以理解為這個藝術的組成是首先有個物件，成為這個“安裝（Install）”內容和作品媒介本身。在之後就是人的行為作品的載體所組成。
The core of installation art lies in the participation and experience of people with the work. It must be a collective act, and if there is no participation and interaction from the audience, the entire meaning and content of the work will not be established. Because the actions of the audience are not predetermined, the uncertainty in the interactive process will also have an impact on the work.
裝置藝術的產生是來自於人為的行動。裝置藝術的核心是作品於人的參與感和體驗感，必須是一個群體行為，如果沒有參與者的參與和互動。整個作品的意義和內容並不成立。正因為觀眾的行為是無預設，所以在互動的過程的不確定性對作品也會有影響。
Therefore, installation artworks are bidirectional and mutually influential. The audience no longer stands passively in front of the artwork.
所以裝置藝術的作品是雙向、互相影響。觀眾不再純粹站在作品面前。
Installation Art has endless possibilities for creation.
裝置藝術誕生無限擴大可能性。
The creation of works is multi-dimensional, multi-form, and diverse.
作品的創作是多維度、多形式、多元化。
Space: Installation art spaces are not limited and can be in traditional exhibition spaces like galleries and museums, but also in places like hospitals, squares, beaches, deserts, forests, islands, airports, and even the sky.
空間：裝置藝術的空間沒有限定，可以是在傳統意義上展示藝術作品的藝術館、畫廊和博物館也可以是一些大眾想不到的地點像醫院、廣場、沙灘、沙漠、森林、島、機場、天空…
One form of installation art creation is called “site-specific art,” where the artwork can only exist in the space where it was created.
其中一種裝置藝術的創作形式稱為“場地特定藝術”(Site specific art)” 意指藝術品只能存在在於它們被創作的那個空間
Spoonbridge and Cherry/Claes Oldenberg
Media: “Objects” are one component of installation art. Generally, various materials are mixed, including everyday objects we are familiar with and unique objects created by artists to fit the theme.
媒介：“物件”作為裝置藝術其中之一的組成物。一般混合了各種媒材像我們熟知的生活隨處可見的日常物件 也有可能是藝術家為了配合主題所創造的獨特的物件。
Floating Feather/Isa Barbier
01
《Floor 1997-2000》
Do Ho Suh
Thousands of small figures made of plastic are placed under a movable glass plate, lifting their hands under the transparent glass plate to support the weight of the heavy glass floor together. Audiences can walk on the glass plate freely. The figures symbolize the countless ordinary people who work hard regardless of their status in life.
幾千個塑膠做的小人放置在可走動的玻璃板下面，舉起雙手在透明玻璃板下，齊心協力出手厚重的玻璃地板的重量。參觀者可以隨意走動在玻璃板上。象徵數以萬計的無名之輩，無關身分地位，共同努力奮鬥。
02
《Cement Eclipses》
Isaac Cordal
The project’s name represents the unconscious oppression of capitalism and bureaucracy on others in social norms. The artist’s sculptural figures engage in small-scale art intervention in urban discourse through the re-use of forgotten public spaces.
Each cement sculpture has a heavy and elusive posture, but upon closer inspection, each figure seems indifferent to the situation they are in.
這個項目名字代表了社會規範中的資本和官僚主義對他人無意識的打壓。藝術家通过重新利用被遗忘的公共空间，他的雕塑人物对城市话语权进行小规模的藝術干预。
每個水泥雕塑小人举止沉重、难以捉摸。但仔细观察每個小人無動於衷的表情后彷彿不在乎身處的處境。
03
《Minimum Monument》
Nele Azevedo
The human-shaped ice sculptures are placed on the steps of the Guard Hall at the Berlin Constitution Square and silently melt away within 30 minutes in the sweltering heat. The artist’s choice to preserve the openness of the artwork gives it a double meaning.
人形冰雕並放置在柏林的宪兵广场音乐厅的台阶上，在炎熱的天氣下默默在30分钟内融化消失。藝術家選擇保留作品解讀開放性使得這件作品帶有雙重意思
Firstly, it symbolizes fallen war heroes, urging us to witness and reflect on the names on the memorial, acknowledging their once real presence in history.
第一重：象征着阵亡的战争英雄
讓我們見證和重新思考，紀念碑上名字，他在歷史上的某一刻是真真實實存在在這個世界上
Secondly, it serves as a warning about the threat of global warming. As humans continue to greedily exploit natural resources, our existence is also at risk of disappearing.
第二重：警惕全球变暖的威胁，随着地球人类持續貪心開拓大自然資源，人類随之消失
04
《Measuring the Universe》
Roman Ondak
The artwork is set in a completely white room, where each visitor will be guided by a gallery staff member to use black markers to write their name, height, and date of visit on the wall. Visitors can freely choose their marker location.
作品是設定在一个完全空白的房间，每個觀眾會在展馆工作人员的带领，使用黑色记号笔在墙上记录参观者的姓名和身高以及参观日期在墙上。观众可以自由选择他们的记号位置。
This artwork is conceptualized by the artist and co-created by the audience. The art creation method blurs the distinction between “artist” and “ordinary person.” It’s a perfect example demonstrating the core values of installation art: audience participation and interaction.
这件作品由艺术家提供概念，观众協助完成创造。这种藝術創作形式讓了“艺术家”与“普通人”區別變得模糊抽象。也是個完美的例子呈現裝置藝術的核心價值：觀眾的參與感和互動。
That’s all for today’s sharing 🙂 See you next time!
以上就是今天的分享：）我們下次見！
